1/6/2024 0 Comments Free passing chord dictionaryThat is the best way for me to improve my lessons and make them fit what you are searching for. Leave a comment on the video or send me an e-mail. If you have any questions, comments, or suggestions for topics then please let me know. By entering your e-mail you will automatically be forwarded to a page with a download link. You can also download the PDF of my examples here. Join 5000+ Other Jazz Guitarists □Join us in the Facebook Jazz Guitar Group Community: Get the PDF! ![]() You can always leave a comment on the YouTube video if you would like a video on this, Sometimes you can also reverse this so that the chord moves one way and the melody another which can be a great effect, but that is for another lesson. On the D7 it is clear that the Db7 is just shifting up a half step to become the D7. The chord that is used to harmonize the resolution will also work well to harmonize the chromatic note. Notice that the voicie-leading is also chromatic, so the way to use this is to look at the note that the chromatic note is resolving to. ![]() On the Am7 the B, Bb, A melody is harmonized with Am(9), Bbm7 Am7 and in the same way the D,Eb,E melody on the D7 is harmonized with D7,Db7 and D7. The example below shows how you can use chromatic passing chords on both the Am7 and the D7 chords. This means that having this in your vocabulary is going to make it possible to add chromaticism to your comping melodies. Chromatic Passing ChordsĬhromatic passing chords is a great way to especially harmonize chromatic passing notes in the melody. You may recognize this exercise as the Barry Harris 6th diminished scale, which is build on exactly this idea of alternating tonic with a dominant chord. In this example the Bm7 chord is used to harmonize the D and it voice-leads nicely up to the following Am7(9) voicing that harmonizes the E. Using the neigboring chord when harmonizing notes is a very common and very useful way to use diatonic passing chords. On the Am7 I am harmonizing the melody with the chords Am, Bm7 and Am7. ![]() The first part of melody consists of the notes C, D and E. In the example the diatonic passing chords are used on the Am7 chord. The example is on a II V I in G major, which is the chord progression that I will use for all the examples. This is what I am doing in example 1 here below. If you want to know more about Drop2 chords and other voicings then check out the Jazz Chords Study guide The easiest place to look for chords to use when harmonizing a melodic comping idea is of course to use the diatonic chords of the scale at that point in the song. In this lesson I am going to disc uss 3 types of passing chords and demonstrate how they can be used. As you will see in this lesson they are also making it easier to make you comping sound more melodic and musical. Passing chords are a great way to expand the sounds you have available in your comping and chord solos.
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